Meanwhile there are many other web sites that might be more effective for what you seekĬlick link below to view Advanced Search in action Reading on other forums and Guitar Center staff that the Roland GK Cable was a MIDI cable How a "13pin MIDI Cable" destroyed the Roland V-Guitar DSP Modeling brand I know I have no desire to - maybe if I had no money and no storage space and no gigs and could only own one Guitar processor ( a VG-99) and headphones at my happy haven rest homeīut the whole point of our website is DSP Guitar modeling and high tech guitar tools, which back in 2007 nothing else existed to aggregate the high tech new sonic territory seekers (hint : a divided separate string pickup assists greatly in that pursuitĪnd what really motivated me to start this forum was being upset and a desire to clear up mis-information Its true not all of us use the GK-13 pin gear exclusively for our whole enchilada This was the best way I found to hook everything up whileīut after while its like staring at the home depot tool rack
TC ELECTRONIC ALTER EGO X4 FORUM PRO
Loop 4 custom delay and Mutron combo > switched output to Noise Supp NS2 > A/B box > AC30ĪC30cc2x FX Loop Send > GT3 > stereo outs > Alter Ego X4 > DL4 > Flashback X4 > Polara 'verb > TC T2 'verb > RC3 > stereo outs (left to AC30 return / right to front of Fender Pro Jr ) (In parallel switcher) loop1 wha and Whammy > loop2 TS9 > loop 3 Friedman BE OD > > EQ > Mini Spark clean boost > switcher > What going on out there?įront of amp: guitar > GR55 > dyna comp. it would be really cool if anyone wanted to look at the list of pieces on my boards and give me pointers/advice regarding how I might be able to run things differently with better sound, or even just a different sound.Įnough of my rambling. However, due to budget, I've had to figure a few workarounds that could take my rig to the next level or more, if I were able to blow more dough. mine would be very complicated at this point, by way of being fortunate enough to be able to build the sound I have, only since Fall when I started playing again. Hell, why not post the nuts and bolts/features of individual board? pics or lists, either or. SS and which amps are thought to be most appropriate for, say, the GR line. It took me a while to get sold on the dd500, but after spending some good time with it, it's one of my favorite delays.Noob question, surely, but I wanted to have a discussion about that and the different (better?) ways we run our signal. I have absolutely no desire to buy any other delay pedal, and I'm selling my triple. Pairing the dd500 with my AEX4 is seriously the best delay combination for me. They just seem so basic to me now, especially since their bank systems are way too limited. I used to own the X4, and I currently own the flashback triple, but I honestly haven't even touched my triple since I bought the DD500. The editing options are incredibly deep on the dd500. Actually, since there is a dual mode (limited to a few modes), you can select that for each patch, so you can actually play 4 delays at once! That alone opens up an entirely new world of possibilities. For starters, you can only play 1 delay at a time on the X4, whereas the dd500 lets you play 2. IMHO, the DD500 is light years ahead of the X4 when it comes to options. It's just too inconvenient, but thats not to say it doesnt have its place. I personally have a huge problem with that. The downside to the toneprint editor is that its on the computer, not the actual pedal. What do you mean? It's a bank system with two patches (actually, I think you can even have 3) per bank (99 total!).
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